????WATCHING movie has always been a good choice for the cold yet heart-warming Christmas and New Year holidays. BBC rolled out its top 10 films of 2013 last week. Check the list and see if you can find your favorite ones in it. ????1Inside Llewyn Davis ????Choosing the best movie of the year defies standards of analysis, or even logic. So, on a solid list of outstanding titles of equal merit, number one ought to be reserved for an expression of unquantifiable love. Hence, for this list-maker, it’s “Inside Llewyn Davis.” ????The setting is the early folk music scene in 1960s New York City, and the protagonist is an exasperating piece of work who makes messes in the lives of those around him but who also happens to sing sad ballads with clear, unvarnished eloquence. Enhanced by a golden soundtrack of folk song ballads, many sung with quiet feeling by Oscar Isaac, so magnetic in the title role, the Coen brothers display a maturity of perception — about aspiration and the randomness of the universe, about scene-setting and narrative pace — that silences old charges about the siblings’ coldness of heart. “Inside Llewyn Davis” is a tender place.(CBS Films) ????2American Hustle ????Rude, wily, sexy and bursting with brio, David O Russell’s portrait of a late 1970s American scammer can pass, if you squint, as an inside-out version of “Inside Llewyn Davis.” While Joel and Ethan Coen find inspiration in the lives of men for whom being pretty good at what they do is no guarantee of success, Russell is jazzed by the lives of men — and one adventuress of a woman — who barrel ahead on gusts of confidence in their own lies. (Sony) ????3Before Midnight ????Amazing. It has been 18 years since audiences first encountered Ethan Hawke as Jesse, a young American traveler abroad, and Julie Delpy as Céline, a young French woman who would change his fate on an all-night prowl through Vienna, in “Before Sunrise.” It has been nine years since we reunited with them in “Before Sunset.” Now, in middle age, Jesse and Céline have never felt more real, as they talk and talk and talk their way through the challenges of keeping a relationship alive. ????(Sony Pictures Classics) ????4The Great Beauty ????In this gorgeous swoon of a movie about his homeland Italy, filmmaker Paolo Sorrentino salutes his countryman Federico Fellini’s masterpiece “La Dolce Vita.” As a charming, sybaritic journalist who has traded efforts at literary greatness for a life of wealth, ease and frivolity, the indispensable Italian actor Toni Servillo becomes our guide through circles of damnation that his countryman Dante Alighieri might recognize.(Janus Films) ????5Her ????Man meets Operating System. Man loves OS. Man loses OS. Set in a brave new world just near enough to be recognizable and just beyond reach enough to be eerie, Spike Jonze’s singular, and singularly beautiful, futuristic romantic drama probes deep philosophical issues about connection, loneliness, sexual expression and the boundaries between human and artificial intelligence.(Warner Bros) ????6A Touch of Sin ????There is a fury galvanizing the newest movie by the great Chinese filmmaker Jia Zhangke: a rage at corruption, greed, and cultural destruction in the name of Chinese modernization and globalization. Here he attacks what he sees as decay within his own colossal country with the violent energy of a pulpy popcorn thriller, creating a propulsive saga in four parts.(Koch Lorber Films) ????7. The Act of Killing ????In a year of fine documentaries — “The Square,” “A River Changes Course,” “At Berkeley” and “Blackfish” high among them — this one is a jaw-dropper. It is a hallucinatory tour of the minds of gangsters who led death squads in North Sumatra in the mid 1960s, now aging men who re-enact their murdering ways with a kind of chilling glee. Director Joshua Oppenheimer and his filmmaking team never let us forget that monsters are also men. (Drafthouse Films) ????8. Fruitvale Station ????It so happens that this riveting, punch-in-the-gut dramatic recreation of the last day in the life of Oscar Grant, a 22-year-old black man shot to death by a white transit cop in Oakland, California on New Year’s Eve four years ago, is the first feature from director Ryan Coogler. The movie captures the short life of one flawed citizen, with a family, a girlfriend, a little daughter, and a life assembled — as most are — of good intentions and mistakes, small pleasures and big challenges. ????(The Weinstein Company) ????9. All Is Lost ????The year’s most austere yet rousing, harrowing yet thrilling and philosophical yet utterly practical-minded adventure-drama features Robert Redford alone in a boat — an old man and the sea, with barely a word spoken. Redford, as a solo unidentified sailor on the Indian Ocean in an acutely damaged boat, concentrates on the present, moment by moment, task by task, to stem a cascade of life-and-death crises. ????(Lionsgate) ????10. Enough Said ????In writer-director Nicole Holofcener’s wonderfully urbane chamber piece, an imperfect middle-aged woman — divorced, dubious about ever finding love again and dreading the empty nest once her daughter goes off to university — meets an imperfect middle-aged man. Sparks don’t fly; sparks are for kids. But with plenty of missteps along the way, the woman — played by “Seinfeld” TV star Julia Louis-Dreyfus with a revelatory lack of vanity —re-learns how to trust and to be trustworthy. And the man — played with heartbreaking sweetness and dignity by the late James Gandolfini in one of his final roles — asserts himself with disarming candor. ????(Fox Searchlight Pictures) ????(SD-Agencies) | 